(Punchline: he wasn’t, but his file—which runs a Vollmannesque 785 pages—claims “anti-growth and anti-progress themes persist throughout each VOLLMANN work,” a fascinating bit of literary criticism from a spy agency.). The old principle: who does not work shall not eat, has been replaced by a new one: who does not obey shall not eat." The author and his wife currently reside in Ottawa, Ontario. Consider the pitch to the publisher: Imperial is an exhaustive 1,200-page study of a small, exhausted square of America that nobody has heard of or cares about, with hand-drawn maps. A Penguin Random House Company Vollmann crosses and muddies the lines between candor, idealism, naivete, and creepiness enough for some readers to justify ignoring his work. “Only part of us is sane,” writes West, “[t]he other half of us is nearly mad… and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.” Imperial has a similar moral, but is told in a more homespun, tender, even cheerful American fashion. And yet it works, as if concision would risk minimizing the high stakes of the story. Elsewhere in his writings, Hazlitt speaks of the gusto evidenced in Vollmann isn’t post-modern so much as a 19th-century Romantic, roping himself to his desk. Anything else he writes, up to and including a volume of his grocery lists, which I assume would include the colonial history of arugula. Helen Zimmern (London, 1887), Discourse m, p. 29. For Schlegel [Footnote: Whose work, by the way, cries aloud for a new and better English translation.] "3 The i. There are scores of other characters, from history and from Vollmann’s imagination, including the German artist Katha Kollwitz, the Russian poet Anna Akhmatova, Stalin, and an opera-obsessed Hitler whom Vollmann calls the “sleepwalker.” Early on we find Hitler in Beyreuth, at the opera house built exclusively for the work of Wagner, his hero. The love story in Europe Central is shadowed by Shostakovich’s artistic dilemma: will he write from the heart, or write what’s expected, in order to survive? Keynes was the gospel. 'Duncan is in his grave; after life's fitful fever he sleeps well.' What I’m waiting for and would buy from my bookseller…. “On the Pleasure of Hating” is a contemplative personal essay about how the emotion of hatred is the centerpiece of man’s nature. Hazlitt was the first and is still the only economist who has ever taken on The General Theory in a line-by-line analysis. So to read Vollmann, the point is just to start, but maybe not at random. Imperial fits Vollmann’s great theme of grand ideas that fail due to human hubris, but unlike in his novels, this failure is real and ongoing. They reach to each other over barriers that they’re not supposed to cross. All part of my plans. When she first hears that 'Duncan comes there to sleep' she is so overcome by the news, which is beyond her utmost expectations, that she answers the messenger, 'Thou'rt mad to say it': and on receiving her husband's account of the predictions of the Witches, conscious of his instability of purpose, and that her presence is necessary to goad him on to the consummation of his promised greatness, she exclaims: Fleance. The stream of consciousness used by Hazlitt provides hypothetical situations that show money has no regard for human nature, and will corrupt even if it is scarce. The critic, essayist and painter William Hazlitt (1778-1830) published and lectured widely on English literature, from Elizabethan drama to reviews of the latest work of his own time. For example, who does … William Hazlitt: An Evil Genius. Macbeth's announcement about murdering sleep is mirrored by Lady Macbeth's sleepwalking. All citations of Hazlitt refer to The Complete Works of William Hazlitt, ed. Refer to Exhibit 1-1. First we might as well get a complicated and idiosyncratic biography out of the way. IV, i. ii. Vollmann spent time in the Canadian arctic, living with Inuit families while working on The Ice-Shirt and Rifles, the fourth installment. Only in the final paragraph does Hazlitt quickly speak of a properly literary gusto, illustrated by examples from Milton only. “Only part of us is sane,” writes West, “[t]he other half of us is nearly mad… and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.” Imperial has a similar moral, but is told in a more homespun, tender, even cheerful American fashion. Their assessment was that his book favoured the Iroquois (an uncooperative, occupied nation of anti-government terrorists) over Champlain and the Jesuits, who represented stable, governmental order over chaos. Mireille Silcoff on her new fiction collection, inspired by her own epic battle with a rare spinal condition. Refer to Exhibit 1-1. “This book,” says William the Blind, “is the story of how the Black Gowns and the Iroquois between them conquered the Huron people. © 2020 Penguin Random House. Remembered mostly for his contributions to economics, including his pithy and still-timely classic Economics in One Lesson, Henry Hazlitt was a man who wore many hats. If you’re not in the mood it’s too much: rich food, indigestion. Shakespeare's genius alone appeared to possess the resources of nature. The lyrics self-refer to a frecha as being vapid and “loose,” caring only about shoes, makeup, and finding a man to marry. The Tragic Flaw. I assume Vollmann has read it, but where would he find the time, between working on a five-volume novel cycle on the history of North America called Seven Dreams, or the 1,200-page study of a small town on the Mexican border that no one has heard of, and the book about Japanese Noh theatre? In his 20s he went to Afghanistan to write about the mujahideen and fought alongside them against the Soviets, until he came down with dysentery. In neither case was he in pursuit of some cowboy thrill. He covered the war in Bosnia as a freelance journalist, and saw two of his friends killed by snipers. (39) Stendhal also read Hazlitt's Table Talk, and in a review for the Courrier Anglais in February 1823 referred to it as having established a new genre. As Vollmann has made clear since writing about his FBI file in Harper’s, he holds no grudges, save the fact that they’re surveilling citizens without due process, and the fact that the FBI clearly didn’t read Fathers and Crows. You, Too, Can Be Blessed with an Uneventful Life, Smartass Entertainment in the Age of Sincerity, A Book About Writers That Even Civilians Can Enjoy, 'Denial of Liberty is as Much a Part of America's Founding as Freedom': An Interview with Jonathan Daniel Wells. case does What to refer study term the, three paragraph essay about love. Vollmann’s massive volume wants to be about that and everything else, including a few dozen hold-that-thought pages on the founding of the Jesuit movement by Ignatius of Loyola. The only question about economics on the standard AP history test was about Keynes. It is an unsentimental novel without heroes. The second volume, and the best in the series so far, is Fathers and Crows, about the French presence in Canada in the 17th century, in particular the Jesuit missionaries who made it their business to “civilize” the natives with tragic results. At 300 or 700 pages in, you wonder if they’ll fall apart under their own weight, but they don’t. The two books would make cozy companions, if you have two years (Black Lamb is 1,100 pages). The only question about economics on the standard AP history test was about Keynes. The book is the extensive (no surprise) biography of a place called Imperial County, in southern California, at the Mexican border. This is the Vollmann style: call him post-modern but really he’s a 19th-century Romantic, tied to his desk chair with a rope like Balzac, swearing he won’t finish until he has 800 pages soaked in candle wax. It is often sadly remarked that the bad economists present their errors to the public better than the good economists present their truth… In the agitation of his thoughts, he envies those whom he has sent to peace. It’s hardly slapdash: for many First Nations people, he says, not much has changed in 500 years except the scenery. If the student whose study habits are illustrated here is currently studying for 2 hours she should a. cut back on the number of hours she is studying because the marginal benefit of studying for 2 hours is less than the marginal cost of doing so. Like David Foster Wallace, the man likes his footnotes, and with Fathers and Crows they amount to a kind of narrative sidecar, as historians send him frantic memos about his handling of the facts, which he happily prints. He wanted to help them by telling their story, as Orwell had done for the Republicans in the Spanish Civil War. What he thinks is what he writes, a gap that so many writers find so hard to bridge. After serving  many years as a veteran radio producer and video-journalist at the CBC, Tom Jokinen set it all aside in 2006 to be an apprentice undertaker at a family-run funeral home and crematorium in Winnipeg, Manitoba. If the student whose study habits are illustrated here is currently studying for 2 hours she should a. cut back on the number of hours she is studying because the marginal benefit of studying for 2 hours is less than the marginal cost of doing so. “He gazes down across the empty seats,” writes Vollmann, “which resemble the keyboard of an immense typewriter upon which he might compose any musical score he pleases.” The score he composes, of course, is the war in Europe and Russia, a work of art which will rival Wagner’s Ring cycle, in Hitler’s mad estimation. This is your hook: Vollmann claims he’s done writing books. There are four novels in the series so far. In The Paris Review, he was asked about the appeal, for a writer, of going to war zones. Essay on advantages and disadvantages of flying kites psychological topics for essay. Haza hammed it up for the movie—undoing her hair, pulling up her pant leg to reveal a shiny black high-heeled boot, slapping her own thigh. called Last Stories and Other Stories. In Kevin Carson’s Socialism: A Perfectly Good Word Rehabilitated, we are informed that the true libertarian is anti-capitalist and socialist.Well, at least Hoppe’s magisterial treatise A Theory of Socialism and Capitalism still has a suitable title–if you just switch the terms. Othello is about as near as Shakespeare gets to classical tragedy. The following article by Linn and Ari Armstrong originally was published May 27 by Grand Junction Free Press under the title, “Channel 11 piece peddles economic nonsense.” Stay tuned for a related update about the views of Denver mayoral hopeful Michael Hancock. “There’s no appeal in it,” he said. What carries a Vollmann book is the author’s attention and sincerity: whatever’s happening on the page, you believe that he believes it’s important and true. If it were I would be shallow, or else a monster.”, On assignment in Thailand for Spin magazine in the early ’80s, Vollmann met a teenage prostitute, bought her out of servitude and rushed her to Bangkok, where he enrolled her in school. Hence religious parables, socialist realism, Nazi propaganda. With its weight of antecedents and obscurities, as I admit, the tale is an ungainly one, like the patent letter in 1639 by the Grand Roy of France, Louis XIII…” and so on. This is the lesson that most of our … The Real Lolita expands upon Weinman’s longform reporting, published four years ago in Hazlitt, which painstakingly pieces together the story of Horner’s brief and harrowing life. Vollmann takes on projects with a shrug because no one else is going to. All subsequent references from Hazlitt will refer … A. R. Waller and Arnold Glover (London, 1904) Vol. There are a few traps out there. But if you are, it’s a banquet, even if some of the dishes are deliberately overcooked. 255: "If I do, fillop me with a three-man-Beetle." It has the same appeal as watching a DVD box set in one sleepless sitting. Keynes was the gospel. The closest comparison, in the category of epic, subjective journalism, may be Rebecca West’s 1941 Black Lamb and Grey Falcon: A Journey Through Yugoslavia, which similarly purports to tell everything it knows about a place on a map, and succeeds as a human chronicle of how we’re programmed to blow it, blow everything. The composer, too, is married, and must decide whether to follow his heart or his conscience. The moon is down: I have not heard the clock. It makes no claim to originality with regard to any of the chief ideas that it expounds. The best place to begin is with the 2005 novel Europe Central, which is actually his 12th work of fiction and the first (so far) to win the National Book Award in the U.S. It’s a war story in the way that the Iliad is a war story, which is to say that it’s really about how men and women make choices in impossible circumstances, how they betray each other and their principles, how they love before they die, if given a shred of a chance. And if this story likewise crawls with reactionary supernaturalism, that might be because its author longs to see letters scuttling across ceilings, cautiously beginning to reify themselves into angels. Band 6 world order essay. For the rest, he simply ascribes gusto to Shakespeare,5 Pope, Dryden, Prior, Rabelais, Boccaccio, and The Beggar's Opera. One risk in starting Vollmann at random is to pick up Imperial as an introduction. He was one of the main opponents to the economics of Maynard Keynes, who argued that government spending stimulated the economy, and now represents one of the key… 2 Here Hazlitt refers to Tom Cribb (1781-1848), the English prize fighter, a person in whom Hazlitt had an interest; see, Hazlitt's celebrated essay, "The Fight." Ben Lerner’s 10:04 is about a writer writing about being a writer writing. Many fans say The Atlas is the place to start. Hazlitt*s genius was intense, personal, unique; at the same time it was manifold. Herschel Baker, in William Hazlitt (Cambridge, Massa­ chusetts: The Belknap Press of Harvard University Press, 1962), asserts that, according to DeQuincey, Coleridge claimed to William hazlitt essays romanticism William Hazlitt's General Essays. I haven’t read it. Vollmann as he is now, thinking about death. In “The Forgetful Ghost,” he writes, “I’d wanted to learn to die, but instead was condemned to try unavailingly to teach a ghost to live. Find us on Facebook / Follow us on Twitter. Rather its effort is to show that many of the ideas which now pass for brilliant innovations and advances are in fact mere revivals of ancient errors, and a further proof of the dictum that those who are ignorant of the past are condemned to repeat it. If you’re not in the mood it’s too rich; if you are, it’s a banquet. 2. “Most literary critics agree that fiction cannot be reduced to mere falsehood,” he writes in one of the opening chapters. If all goes to plan, there will be books to come on the Plains Indians in America, and the battles between Navajo natives and the oil companies. There are CDs of excerpts from Wagner operas, but unless you’re willing to face five hours of Tristan und Isolde like a man, the best-of disc will be meaningless noise. “Because the work they would actually have to read.” And it’s true that in reading Vollmann you encounter a hyper-vigilant weirdo on the page, and that’s part of the appeal: he’s not trying to snow you, to make himself look good. They consider men ‘as mice in an air-pump,’ fit only for their experiments; and do not consider the rest of the universe, or ‘all the mighty world of eye and ear,’ as worth any notice at all. By having an extensive run on sentence, Hazlitt is able to create a smooth flow of ideas. Read the novels. But where to start? But in any case he can never be accused of hiding behind a sterilized, authorial invention: “It’s always easier for people to characterize the writer rather than the work,” he has said. So what makes it so good? After serving  many years as a veteran radio producer and video-journalist at the... William T. Vollmann’s Rising Up and Rising Down, an essay on the human impulse to violence, runs seven volumes and 3,352 pages. Much of the book’s beginning (meaning several hundred pages) has Vollmann charting the filthy waters of the New River up to the Salton Sea, an inland body of salt water that was created accidentally just over 100 years ago by an overzealous irrigation project. Henry Hazlitt in his famous book Economics in One Lesson writes that most economic fallacies come from looking at the short-term, not the long-term, effects of policies, and from looking at the effects of a policy on one group, not all groups. (40) Their meeting was only a matter of time: Hazlitt was too much of a Francophile, and Stendhal too much of an Anglophile, for circumstance to have kept them apart for long. Like Thomas Piketty’s Capital or the Knausgaard My Struggle series, Vollmann’s books are the ones you will get around to, eventually, one summer or long winter, maybe next year, if only to see at what all the fuss is about, or to reward the man for his diligence. This distinctness and originality is indeed the necessary consequence of truth and nature. "Let the scholar," says our biographer, "who doubts this assertion, refer only to the speeches and writings of Edmund Burke at the commencement of the American war, and compare them with his speeches and writings at the commencement of the French Revolution. He almost froze to death and at one point set his sleeping bag on fire in an I’m-from-Sacramento effort to dry it out. For those readers who are unfamiliar with Henry Hazlitt, he was a leading interpreter of economic issues from the point of view of American conservatism and libertarianism. Last Stories and Other Stories. Truth does not lie in vacuo, any more than in a well. His first extended work of literary criticism was Characters of Shakespeare's Plays, published in 1817. The book includes scenes from the modern North (William the Blind, as I say, holds the long view) and in Fathers and Crows we see Champlain’s travels against Vollmann’s own visits to 20th-century Montreal where, of course, he meets prostitutes. All you need is a nudge, some kind of hook. The place is dry and polluted. McCutcheon, "Hazlitt and the Pornography of Popularity" / 4 become a mere record of our barbarities," they agreed to publish "the barbarism," ostensibly to appease Hazlitt and an expected audience for the piece (7). “Well-crafted protagonists come to life, pornography causes orgasms, and the pretence that life is what we want it to be may conceivably bring about the desired condition. 18, 1830, Soho, London), English writer best known for his humanistic essays.Lacking conscious artistry or literary pretention, his writing is noted for the brilliant intellect it reveals. brandt and others. It is a series of short stories set in Germany and the Soviet Union before, during, and after the Second World War, but at its heart it is a doomed loved story involving Dmitri Shostakovich, the Soviet composer who spent a career under Stalin’s thumb, and Elena Konstantinovskaya, a translator who is married to another man. The Dream novels are tightly researched. The plot is fairly unified, focusing on Othello and his fate, and dealing with other people and events only in so far as they are relevant to this focus. “It’s not fun. 3 Shakespeare, 2 Hen. So even if no one else does any of this, I will get to it eventually. Stephen Burley Apr 2011 Romanticism. For Stalin, too, art is a weapon, and this is where Shostakovich comes in: as the Soviet Union’s most famous composer, it is the Kremlin’s expectation that he will write music to serve the cause, to advance history. The first, The Ice-Shirt (1990) is practically a novella at only 345 pages before glossaries and footnotes. The best are the first two stories: realist heartbreaking tales from the war in Bosnia, told by a writer who still mourns. I don’t know anyone who has. P. P. Howe (London, 1930-34): "The Ideal," xx, 303-304; "On Certain Inconsistencies in Expelled From Eden is billed as a William T. Vollmann “reader” and carries excerpts from a number of the novels and non-fiction pieces, plus a reading list of modern books he likes (he is a fan of Sigrid Undset’s Kristen Lavransdatter, set in 14th-century Norway), but forget it. “On the Want of Money” is composed of only 3 sentences. IX, p. 27. Several points may be teased out of this anecdote (which Redding repeated, with variations, in … “This is my final book,” he says in the preface to a new volume of short stories (short?) Sir Joshua Reynolds9 Discourses, ed. Imperial is a book about borders, manmade and otherwise, and so, in its chilling way, is Last Stories, where, in some of the more startling and Poe-like stories, the dead and the living fall in love. 12th work of fiction and the first (so far) to win the National Book Award in the. This one requires a two-month commitment to get halfway through, after which you’ll need certain evenings over a year. Essayist William Hazlitt invites his readers to hear his thoughts about how man’s hateful spirit affects our relationship with friends, with artistic creations, with ideas, with life. The narrator is a Vollmann surrogate called William the Blind, who is ageless and holds a long view on human history, and who acts as a Virgilian guide. The volume is therefore primarily one of exposition. It might be a metaphor: from now on I’m a different writer (after all, he still owes Penguin the last installments of Seven Dreams). Edinburgh napier dissertation printing: essays that worked stanford. It is only recently that our government began trying to combat this theft in a serious way. Essay exam advice. For if they could do that, then why not us?”. “Any subsequent productions bearing my name will have been completed by a ghost.” It sounds like a ruse, coming as it does from a man who, when he’s not sleeping or undergoing dental surgery, is assumed to be writing. This play is known as a tragedy, and is often thought by actors to be cursed, and who therefore refer to it as "The Scottish Play." I haven’t read it. Whatever the commercial considerations (Vollmann does sell books, to more than a cult following) the result is fearless. Liberty is a whole, and to deny economic liberty is finally to destroy all liberty. Formally, Europe Central is challenging until you get the hang of it. Remembered mostly for his contributions to economics, including his pithy and still-timely classic Economics in One Lesson, Henry Hazlitt was a man who wore many hats. If only I didn't have a full-time job to worry about, I would have done all this a long time ago. Like Kafka, who also aspired to truth on the page in its strangest, dream-like forms, Vollmann once worked for an insurance company. Also, the FBI thought he might be the Unabomber. In other words, socialist realism, or propaganda. Did it follow that perhaps I could help him forget that he was dead if he in turn taught me to forget that I lived?”. “I don’t mean to be an actor, but rather to accomplish things… do things that will help people somehow… things like kidnapping the sex slave.” He is known for his fondness of (or obsession with) sex workers, has written about them in his stories, and has promised, if he ever wins the Nobel Prize (he often turns up on the yearly long list) that he will give the prize money to prostitutes. Dead fish, sewage, caustic chemicals, typhus, and rumours of dead bodies follow him and his good sport of a river guide in an adventure undertaken for the sake of verisimilitude and whatever it is in his character that previously led him to Bosnia and the Arctic: not quite gonzo, not quite journalistic arrogance, but something more genuine and likable. “I want to take some responsibility and act as well as write,” he told the Review. “Imperial is a boarded-up billiard arcade, white and tan; Imperial is Calexico’s rows of palms, flat tan sand, oleanders and squarish buildings, namely the Golden Dragon restaurant, Yum Yum Chinese Food, McDonald’s, Mexican insurance; Imperial contains a photograph of a charred building and a heap of dirt… Imperial is a map of the way to wealth.”. This is making short, but not sure work. is a war story, which is to say that it’s really about how men and women make choices in impossible circumstances, how they betray each other and their principles, how they love before they die, if given a shred of a chance. Socialism is irreconcilable with freedom. From time to time the author himself shows a hand, and reveals his purpose. Vollmann was born in 1959 and lives in Sacramento, California, with his wife (an oncologist) and a teenage daughter. The thought of power drives Macbeth, encouraged by his wife Lady Macbeth, to murder King Duncan and become King himself. The economics departments clung to this religion despite the experience of the 1970's, in which double digit inflation and unemployment somehow existed at the same time. Maybe it’s only the story of how, by trying to shake the rigid ‘50s, all we got was the empty, plastic ‘80s. The Atlas is what it sounds like, a collection of short stories, travel reports, and prose sketches that describe, in some detail, the world according to William T. Vollmann. It is true, he becomes more callous as he plunges deeper in guilt, 'direness is thus rendered familiar to his slaughterous thoughts', and he in the end anticipates his wife in the boldness and bloodiness of his enterprises, while she, for want of the same stimulus of action, is 'troubled with thick-coming fancies that rob her of her rest', goes mad and dies. The economics departments clung to this religion despite the experience of the 1970's, in which double digit inflation and unemployment somehow existed at the same time. But it may be Vollmann’s masterpiece. This drastic vocational change at the age of 44 resulted in the book Curtains, an exploration of our culture’s relationship with the dead, dying, and left behind. It is a place of illegal migrants, hardscrabble farming, boneheaded capitalism, and a version of the American dream that’s been shuttered until further notice. (Incidentally, the image at right is a postcard I bought in 1990 in Berlin, right after the Wall fell. In his blog last week, Paul Krugman lambasted Austrian economist Henry Hazlitt, writing that “Hazlitt has been wrong about everything for more than 80 years” and acting bewildered that Hazlitt is nevertheless “still regarded as a guru.”His explanation for this is, “Bad ideas, it appears, are extremely robust in the face of contrary evidence.” It's just a matter of time. Like Herman Melville, Vollmann has a simple storyteller’s instinct for the impossibly long adventure tale. Even the boring parts grow on you. You think you know long-form non-fiction, and then you come across this addictive monster. It’s what David Foster Wallace most admired about him, besides the crazy output. He is 'your only tragedy-maker'. There are few men in any age with broader range of interests The Collected Works of William Hazlitt, ed. “Too much contemplation of any object, however unwilling the gaze,” he writes, “may reveal a secret.” This could pass as the man’s mission statement. In one way, it might be the story of late-20th century counterculture and its aftermath: trying to ditch one set of values on a quest for something more spiritual, more true, only to wind up at some very hard, material centre. MACBETH and Lear, Othello and Hamlet, are usually reckoned Shakespeare's four principal tragedies, Macbeth for the wildness of the imagination and the rapidity of the action, Characters of Shakespeare’s Plays (Cymbeline), Characters of Shakespeare’s Plays (Julius Casesar), Characters of Shakespeare’s Plays (Othello), Characters of Shakespeare’s Plays (Timon Of Athens), Characters of Shakespeare’s Plays (Coriolanus), Characters of Shakespeare’s Plays (Troilus and Cressida), Characters of Shakespeare’s Plays (Antony and Cleopatra), Characters of Shakespeare’s Plays (Hamlet), Characters of Shakespeare’s Plays (The Tempest), Characters of Shakespeare’s Plays (The Midsummer Night’s Dream), Characters of Shakespeare’s Plays (Romeo and Juliet), Characters of Shakespeare’s Plays (Richard II), Characters of Shakespeare’s Plays (Henry IV), Characters of Shakespeare’s Plays (Henry V), Characters of Shakespeare’s Plays (Henry VI), Characters of Shakespeare’s Plays (Richard III), Characters of Shakespeare’s Plays (Henry VIII), Characters of Shakespeare’s Plays (King John), Characters of Shakespeare’s Plays (Twelfth Night; or, What You Will), Characters of Shakespeare’s Plays (The Two Gentlemen of Verona), Characters of Shakespeare’s Plays (The Merchant of Venice), Characters of Shakespeare’s Plays (The Winter’s Tale), Characters of Shakespeare’s Plays (All’s Well That Ends Well), Characters of Shakespeare’s Plays (Love’s Labour’s Lost), Characters of Shakespeare’s Plays (Much Ado About Nothing), Characters of Shakespeare’s Plays (As You Like It), Characters of Shakespeare’s Plays (The Taming of The Shrew), Characters of Shakespeare’s Plays (Measure for Measure), Characters of Shakespeare’s Plays (Merry Wives of Windsor), Characters of Shakespeare’s Plays (The Comedy of Errors), Characters of Shakespeare’s Plays (Doubtful Plays of Shakespeare), Characters of Shakespeare’s Plays (Poems And Sonnets). 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