Title: Autumn 1918. Both his civilian and military outfits were flamboyant. He was last seen with us in Faust and Julius Caesar (1996). Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubber. Her other costumes included two chiffon dresses, one of green and fawn and the other of yellow, worn with a dramatic necklace of gun-metal spikes. We use cookies on this website. © Associate Artist Hugh Quarshie returned to the RSC to play the title role. Royal Shakespeare Company, Unfortunately we cannot guarantee support for browsers with Javascript disabled, you may experience some difficulties using this website. ... See full summary ». Directed by Iqbal Khan, Robin Lough. The activities provided are specifically designed to support KS3-4 students studying or seeing the play, offering a deeper insight into the choices that can be explored through staging. Get a sneak peek of the new version of this page. The designer has also suggested the use of ‘large poppers’ or press studs, presumably to fasten the collar to the gown. Othello 4 June-28 August 2015. 7:39 pm OTHELLO Royal Shakespeare Theatre, Stratford Upon Avon. A ship is wrecked on the rocks. Jess Denham @jess_denham. A frighteningly modern production with hatred so intense it makes for compulsive viewing. In this production image, mischief-making Iago is delighted when his wife, Emilia (Ayesha Dharker), produces the handkerchief, which was Othello’s special gift to Desdemona. If they are, cast them. William Shakespeare | 1604 “Our bodies are our gardens, to the which our wills are gardeners.” One of his most heartbreaking tragedies, Shakespeare’s tale of love, jealousy and deceit is brought to life in this ground-breaking production from the Royal Shakespeare Company. The show was broadcast to UK and selected worldwide cinemas in August 2015. “What will you do with’t, that you have been so earnest to have me filch it?” Emilia, Act 3 Scene 3. Please either update your browser to the newest version, or choose an alternative browser – visit, Othello (Hugh Quarshie) reacts violently to Iago's (Lucian Msamati) insinuations in Iqbal Khan's Othello. Water was the key symbol in the design and reflected the two locations of the play: Venice, whose unique lagoon location was crucial to its commercial empire, and Cyprus, a militarily strategic island in the Mediterranean. A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. But he is also an outsider whose victories have created enemies of his own, men driven by prejudice and jealousy to destroy him. Photos showing the production and rehearsal process of Iqbal Khan's 2015 production of Othello, The RSC is a registered charity (no. In these images of the costume in production and the design sketch, we see that the outfit comprised a tightly-fitted, shimmery, midnight-blue jacket, with a pointed hem reaching the knees, a long pleated skirt and high platform shoes. The second sketch is another silver-grey dress with close-fitting sleeves and bolero (short jacket) which Desdemona wore in Cyprus. Designed by Ciaran Bagnall © Ciaran Bagnall, Photo by Keith Pattison; designed by Fotini Dimou © RSC; design © Fotini Dimou, < Back to Past productions and play history. Lucian Msamati was the first black actor to play Iago at the RSC. From the eighth to the eighteenth centuries, the republic of Venice was ruled by a Doge, sometimes translated as Duke, who was elected by the leading citizens via an elaborate and complicated voting system. His costumes included a plum-coloured velvet jacket with a handsome purple and gold scarf, and a well-cut military trench-coat, seen here, worn over his gold tunic and trousers. By using this site you agree that we may store and access cookies on your device. But would it add another layer to one of Shakespeare’s greatest … Everyone should be entitled to have a go.That doesn't mean things get better. "The RSC is grateful for the range of funders including the Arts Council, who support this vital work." With Hugh Quarshie, Joanna Vanderham, Lucian Msamati, Ayesha Dharker. He was last seen with us in Faust and Julius Caesar (1996). 400th anniversaries do not happen often and we wanted to mark 2016 with an unforgettable programme to celebrate Shakespeare’s extraordinary legacy and bring his work to a whole new generation. The interpretation raises fascinating questions and grips throughout. “Fotini Dimou’s astonishing array of costumes enhance Desdemona’s otherness in Othello’s khaki world.” Paul Edmondson, The Stage, 12 June 2015. The world-weary Benedick and his friend Claudio find themselves reacquainted with Beatrice and Hero. Iqbal Khan’s groundbreaking production of Othello was the first at the RSC to cast a black actor, Lucian Msamati, as Iago. The first sketch shows Desdemona’s full-length, metallic-grey gown with a funnel-shaped reversible collar which she wore in the early Venetian scenes of the play. Collaborating with Iqbal Khan on this fresh approach were the set and lighting designer Ciaran Bagnall, and costume designer Fotini Dimou, both of whom combined modernity with references to Venice’s rich history as a maritime super-power. Hugh will play opposite Lucian Msamati in the role of Iago, returning to the RSC following his role as Pericles in 2006. 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